What can I say about Slaughterhouse
Five? Reading this book was definitely an interesting experience. The last
third of the book was just as scattered and random as the other parts of the
book. It is definitely an odd book. I have never seen a style of writing like
Vonnegut’s and have never read about topics the way they are addressed in his
book. This book is definitely the hardest to find humor in, especially “ha-ha”
humor, but I did find some throughout the story. There was more black humor and
satire, which looked at one of the most awful events in history, the Dresden
bombing.
One humorous part of the story was when the
soldiers put on a performance of Cinderella.
The thought of male, military men acting in the parts of Cinderella and the
Fairy Godmother brought a smile to my face. I was glad that they were trying to
find ways to keep themselves busy and sane in captivity, so that they do not waste
away and give up. And what really intrigued me was that Billy wanted to try on
the silver combat boots, which were the glass slippers in the Cinderella play. I laughed when Billy
tried on the boots, which fit him perfectly. This is because he was then
compared to Cinderella. It’s funny because he does not look anything like
Cinderella. When he tried on the “slippers,” he’s scruffy, dirty, and s missing
a heel. But when Cinderella tried on the real glass slippers, she was very
beautiful. I think this scene provides a bit of relief from all of the
disturbing and odd events that occur in the book, especially from the events
that occur in the final third of the book (Vonnegut 184-185).
While reading, I couldn’t help but notice
a peculiar pattern. Whenever the book mentioned the death of a person or animal,
or just mentioned death in general, the narrator would say “so it goes.” I
thought this was a very odd thing to say. It almost sounds as if he is saying that
since death is just a natural part of life, it isn’t a big deal whenever death
occurs. While it’s true that everyone dies at some point, saying “so it goes,”
sounds blunt, hard, and insensitive. I felt confused and saddened by the
insensitivity shown in this one simple phrase. I’m not sure what point the
author was trying to make when he said that, but it must be important, because
he often mentions death and that phrase (Vonnegut 185).
And finally, Kilgore Trout was an amusing
distraction from the dreadful topics of war, bombings and death. He said sarcastic
or just hilarious moments that definitely put a smile on my face. I
particularly like when he tells the newspaper boys to “get off their dead
butts.” I also laughed whenever he cursed, because I can just imagine a grumpy
older man cursing, and I find this hilarious. He then says how the boys should
try to convince their customers to subscribe to the “****!@$ Sunday edition
too!” He then tells them that whoever sells the most Sunday editions for the
next 2 months would win an all expenses paid trip for himself and his parents
to “Martha’s ****!@$ Vineyard” for a week. I found this line as another
humorous comic moment, even though I think he’s lying to the children. There
was definitely a side of me that was like “shame on you for lying to children!”
And I also found it humorous when the girl asks if she could take her sister if
she wins, and Trout’s like “Heck no! You think money grows on trees?” This was a moment of cognitive
shift that I definitely found hilarious. You would normally expect him to say
that she could take her sister, but instead, he says no in the funniest way
possible (Vonnegut 212).
I am now finished reading Slaughterhouse
Five, and although it was not my favorite book, there were definitely some
humorous parts that I appreciated. Some of these parts I described in this blog
today. This book taught me more and more about humor and to appreciate other
kinds of humor. I learned that using black humor is a good way to look at one
of the most dreadful and overlooked events of World War II, the Dresden
bombing. I definitely had an interesting experience reading this book, but I
wouldn’t read it again.
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